Reviews
Raising the Dead: Gerardo Sámano Córdova’s “Monstrilio” and Post-COVID Magical Realism
What Withers With the State?: A Review of Jenny Erpenbeck’s Kairos
A History of Everything: Mattilda Bernstein Sycamore’s “Touching The Art”
The Reserved Intimacy of Tatsuhiko Ishii’s Tanka
“Wombs of Empire” by Sujin Lee
The “Indebted Woman” in South Arcot
“Pig”: Sam Sax’s Penetrative Collection About the Absurdity of Human Civilization
Naomi Klein: Doppelganger
This is Where the Sadness Lies: A Review of Mary Jo Bang’s “A Film in Which I Play Everyone”
Zadie Smith: “The Fraud”
Comedo of the Soul: A Review of Mona Awad’s Rouge
The Future Lives of Colonization: Yuri Herrera’s Ten Planets
