Review
“Pig”: Sam Sax’s Penetrative Collection About the Absurdity of Human Civilization
Naomi Klein: Doppelganger
This is Where the Sadness Lies: A Review of Mary Jo Bang’s “A Film in Which I Play Everyone”
Zadie Smith: “The Fraud”
Comedo of the Soul: A Review of Mona Awad’s Rouge
The Future Lives of Colonization: Yuri Herrera’s Ten Planets
The Radical Mundanity of Yu Xiuhua’s “Moonlight Rests on My Left Palm”
The Trappings of Fan Behavior: A Review of Esther Yi’s “Y/N”
The Shell of Another Empire: A Review of Sally Wen Mao’s “The Kingdom of Surfaces”
Hot Girl Summer: Emma Cline’s The Guest
B.R. Yeager: Burn You the Fuck Alive
Where Folklore Feminism Becomes A Trek: A Review of Kathryn Bromwich’s At the Edge of the Woods
