Review
The Reserved Intimacy of Tatsuhiko Ishii’s Tanka
“Wombs of Empire” by Sujin Lee
The “Indebted Woman” in South Arcot
“Pig”: Sam Sax’s Penetrative Collection About the Absurdity of Human Civilization
Naomi Klein: Doppelganger
This is Where the Sadness Lies: A Review of Mary Jo Bang’s “A Film in Which I Play Everyone”
Zadie Smith: “The Fraud”
Comedo of the Soul: A Review of Mona Awad’s Rouge
The Future Lives of Colonization: Yuri Herrera’s Ten Planets
The Radical Mundanity of Yu Xiuhua’s “Moonlight Rests on My Left Palm”
The Trappings of Fan Behavior: A Review of Esther Yi’s “Y/N”
The Shell of Another Empire: A Review of Sally Wen Mao’s “The Kingdom of Surfaces”
